An exhibition currently being held in Seto at the prefectural Ceramic
Museum is celebrating the 100th anniversary since the production of
novelty porcelain figures started in the city.
“The Charm of the Ceramic Dolls” features 120 pieces made in Seto and around the world.
“We want to prove that we can still craft ceramic figures of
this high quality,” said Norichika Kato, the 54-year-old president of
Seto-based ceramic doll manufacturer TK Nagoya Ningyo Seito Corp. His
company’s works are among those on display at the museum.
TK Nagoya Ningyo Seito is the only manufacturer in Japan that
produces ceramic lace dolls, for which a mastery of highly
sophisticated skills is required. While the local ceramic novelties
industry has declined, the company is enjoying brisk sales of popular
figures, such as Disney characters.
Seto ceramic novelties are distinguished by their meticulous
workmanship that makes the most of the high-quality clay. While the city
of Seto has long been commonly known as the town of Setomono
(ceramics), the city was also the world’s leading manufacturer of
ceramic novelties after World War II.
During the post-war period, the industry enjoyed a boom
period, with most ceramic products bound for the U.S. market. Since
1985, however, the novelty industry has seen a sharp drop in exports due
to a stronger yen, leading to the decline of the industry. At present,
only a handful of manufacturers still market the novelties in Japan.
One of the dolls in the exhibition is a “Hanayome ningyo”
doll produced by the founder of TK Nagoya Ningyo Seito and Kato’s
grandfather, Tokumatsu. First offered by the company more than 50 years
ago, the Hanayome ningyo is a ceramic bride figure dressed in
Japanese-style clothing with Western facial features.
Newly created ceramic figures called the “Nagoya ningyo”
doll, created by Kato’s older sister, Kumiko Motomura, 56, are also on
display. As opposed to the Hanayome ningyo doll which it is based on,
Motomura created three kinds of Nagoya ningyo dolls, each with Japanese
facial features and wearing a different colored kimono.
The making of the Nagoya ningyo dolls involved a lot of
delicate work by hand. Motomura rolled out a mass of clay to make a
strand of hair one by one. In addition to crafting a Japanese wedding
headpiece and a fan made of ceramics, she embellished the figure with
details such as the laced patterns on the kimono belt.
Kato said that the Nagoya ningyo dolls represent his wish to revive the Seto novelties industry.
“Our work would be recognized if we continue to make novelties with high skills and sensitivity,” Kato added.
Satoshi Tamura, a 42-year-old curator at the museum, proposed
the exhibition. He was born to a family in Koka, Shiga Prefecture,
which produces Shigaraki earthenware plates, the region's specialty, at
its pottery.
“I want to preserve the ceramic industry in this city of Seto
as I am also concerned (with the industry),” Tamura said. “I hope that
the exhibition will convey the brilliance of what the creators have
made.”
The exhibition will continue through Aug. 17.
Asahi
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